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SWANS: Sacrifice and Transcendence – The Oral History by Nick Soulsby

SWANS: Sacrifice and Transcendence - The Oral History

SWANS: Sacrifice and Transcendence the first book to focus on Michael Gira’s legendary troupe of sonic terrorists is out now.

125 interviewees tell the story of how a cluster of frustrated artists and poverty-struck musicians in the fertile chaos of post-bankruptcy New York City morphed into one of the most fearsome live acts ever to grace a stage: the reputed “loudest band in the world.

Michael Gira:

 “I’m no stranger to failure, and I’m aware it can arrive at any minute – as it often has. You have to keep things close to your chest and be aware of what’s really important: the work, not everything around it.

If you have faith in the work then the people will come… It’s an artistic imperative, it has nothing to do with public perception or career or any of that crap.”

Working construction by day, rehearsing by night; near penniless and living on cheap beer; SWANS immediately won a reputation for creating the most vicious intensity to grace a stage anywhere in NYC – as well as for shell-shocked crowds, police intervention, fights with venues, complete alienation.

Clawing their way forward, the band self-funded recording sessions and emerged with material that still sounds original at 35 year distance: ‘Filth’, ‘Cop’, ‘Greed’, ‘Holy Money’. The book, including the remembrances of more than 30 former band members, follows them as notoriety became reputation, as audiences embrace a sound like no other.

At the centre of the book stands Michael Gira, a man determined to realize his artistic vision, an approach to the building blocks of music struck through with startling originality and honesty.

Surveying the band’s collapse in 1997 in the light of its triumphant return in 2010 with acclaimed albums including ‘The Seer’ and ‘To Be Kind’, the book asks whether there is something unique in Gira’s approach that has allowed SWANS to weather the years, never compromising, never repeating, always making work of singular impact.

It also tallies the cost in lost friendships, fractured relationships, public displays of frustration and crackling tension on stage.

The first and only book to tackle SWANS – and with a wealth of first-hand accounts from individuals ranging from Thurston Moore to Jim Thirlwell, Bill Laswell to Lydia Lunch – ‘SWANS: Sacrifice And Transcendence- shows how far a band can be willing to go, how much a human might endure, to unleash their music on the world.

Over a span of some three and a half decades, Michael Gira’s Swans have risen from chaotic origins in the aftermath of New York’s No Wave scene to become one of the most acclaimed rock-orientated acts of recent years.

The 1980s’ infamous ‘loudest band on the planet’ morphed repeatedly until collapsing exhausted, broken, and dispirited in the late 1990s.

Swans returned triumphantly in 2010 to top end-of-year polls and achieve feted status among fans and critics alike as the great survivors and latter-day statesmen of the underground scene.

Throughout, Gira’s desire has remained to create music of such intensity that the listener might forget flesh, get rid of the body, exist as pure energy—transcendent—inside of the sound.

Through these pages, the musicians responsible tell the tale of one of the most significant bands of the US post-punk era. Drawing on more than 125 original interviews, Swans: Sacrifice And Transcendenceis the ultimate companion to Swans and their work from the 1980s to the present day.

Jennifer Gira:

 “Michael as an energy – as a force – was one of the greatest things I’d ever seen… the New York shows were the utter peak.

It was the end of summer, literally 110 degrees, you could cut the air with a knife. I see this man furiously playing – I seriously thought,

‘This is insane, he’s going to drop dead!’ The crowd was roaring, and he played until he collapsed, basically. Maybe a year later, he admitted to me that he hadn’t been in a good place, emotionally – that he’d been trying to die that night. I certainly saw it.

They all looked like they were going to die.”

Nick Soulsby is the author of Thurston Moore: We Sing A New Language (2017), Cobain On Cobain: Interviews & Encounters (2016), I Found My Friends: The Oral History Of Nirvana (2015) and Dark Slivers: Seeing Nirvana In The Shards Of Incesticide (2012).

In 2014 he curated the compilation No Seattle: Forgotten Sounds Of The North West Grunge Era 1986–1997 with Soul Jazz Records, and he also wrote the oral history of the band Fire Ants for the reissue of their 1993 EP Stripped.

“SWANS: Sacrifice And Transcendence – The Oral History” (Jawbone Press/Quarto, 2018)