Atrax Morgue is the brainchild of Marco Corbelli. This sound project started in the early nineties and focused on various areas related to the field of psychopathology: murder, violent death, sadism, necrophilia, schizophrenia and insanity. The primary influences come from projects such as Brighter Death Now and Whitehouse, pioneers of a minimal, evil and visceral electronic sound; and from the legendary projects Mauthausen Orchestra and The Sodality. The main manifesto of Atrax Morgue is the analysis of the death, his perfection and complete habituation: injections of death to continue to live.
Ripper Box follows only two months after the immediately sold out Necro Box and continues the tribute to the degenerate art of Atrax Morgue, one of the greatest exponents of the industrial/power electronics in Italy. First Lp in the box is New York Ripper, originally released in 1994 on the Slaughter Productions label. It is a work of obsessive sounds, with the use of very low frequencies, synthetic and disturbing. The psychopathological sound is white, painful and horrific; creates a mental alteration that initiates the brutal operation of psychic surgery, neuroses and split personality. The following Lp is Lesion 22, released on Less Than Zero in 1996. The tracks on here are monolithic machines of industrial death that are portrayed in lovingly grating and rasping detail, with engines of soul rapine and pulsating, screaming contraptions eager to slice their way through soft flesh.
The putrescence is tangible, and one could almost smell and taste the miasma of decay that pervades the entire vinyl. The third and final Lp is Spasmosynthetics, released on Labirynth tape in 1997. The four tracks on LP are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting.
Box comes in a deluxe silver silkscreen on Fedrigoni constellation black cardboard and includes inside:
- Three records on 140 gr pure black vinyl with total black label and black inner sleeve w/polybag padded
- Three deluxe silver silkscreen on black cardboard sleeve with different new artwork for each title
- Each single record inside box package in a clear plastic sleeve to protect from shelf wear and damage
- Two professionals cd (not cd-r) that include all tracks of Lps plus all tracks from AM_Black Slaughter
- Sixteen pages booklet in A5 size, with credits, replica of original tape artwork and more
- All tracks remastered for this releases
- Vinyl pressed in Germany and box + cover hand made in Italy for best quality
All parts carefully assembled at Urashima headquarter and box hand numbered in 199 copies!
”The concept is to create sounds associated with a diseased brain, a murderess, a person who has abnormal behavior towards society.”
An Innocent Young Throat-Cutter – Bay Of Blood 5” lathe cut (second press)
An Innocent Young Throat-Cutter is a project of harsh noise walls from Houston, Texas and began in 1994 with the release “Blues“. The name of the project came from an headline in a true crime book. The work is inspired by the Italian horror genre known as “Giallo”. Bay of Blood‘s five-inch vinyl is absolutely awesome! Two tracks of two minutes on each side only for Harsh Noise fanatics!
Here the line-up was Richard Ramirez (Werewolf Jerusalem/Black Leather Jesus) and Cristiano Renzoni (Alo Girl). Five inch lathe cut comes in a deluxe silver silk screen on black cardboard hand made sleeve or deluxe black silk screen on yellow cardboard hand made sleeve limited with art paste on front cover.
Limited to only twenty-seven hand numbered copies w/mini insert, info sheet and photo. Act fast!!!
Price for box is 63 euro
Price for 5” lathe cut is 15 euro
Postage to Europe is 14 euro w/tracking number
Postage to USA is 18 euro w/tracking number
For other countries please contact Urashima