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Holly Hunt – Year One

Year One

Year One

Miami, Florida two-piece tone worshippers/manipulators Holly Hunt are hell-bent on eroding the listener to a nub with a systematic onslaught of down-tuned distortion and repetition. 2012’s full-length Year One finds the duo of guitarist Gavin Perry and former Floor drummer Beatriz Monteavaro joining the ranks of other like-minded low-end enthusiasts such as Ladybird, Conan, and, most similarly, Belfast greats Slomatics—a band who incidentally shares a destructive and complementary 2014 split with Holly Hunt. Year One, like a plunge into icy depths, is an immediate jolt to the system, but, after a few spins, the listener quickly grows accustomed to the waters and some of the album’s charm begins to slowly melt away.

Year One’s greatest strengths—an impenetrable, thick-as molasses tone and a hypnotic use of repetition—ultimately proves to be the album’s greatest weakness in the long-run. It’s difficult not to be immediately swept up in the tide of the duo’s waves of fuzzed-out distortion and rhythmic battery, but the lack of dynamics ultimately leaves the listener washed ashore.

Holly Hunt | Credit: Diana Lee Zadio

Holly Hunt | Credit: Diana Lee Zadio

To Holly Hunt’s credit they keep their songs tight and concise. Year One consists of ten instrumental tracks spread out over forty minutes giving the band ten opportunities for slight variations on a similar theme. The truly interesting thing about many of the songs, from a listener’s perspective, is that it is not hard to imagine, or actually hear, vocal melodies buried deep within some of the tracks. There is a hallucinatory quality born from the recurring, circular rhythms of the band.

It would be too simple and lazy to dismiss Year One as being monochromatic because the album does have its standout moments. “Manchurian Candidate” is a staggering beast of a track that falls somewhere between the down-tuned obliteration created by Slomatics and the “pop” sludge of Torche. Though Holly Hunt deal almost exclusively in heavy, thick-as-mortar riffs, the duo manages to summon a brief, three-minute moment of beauty with “Molasses.” An extended harmony of feedback opens the track before some of Perry’s “brightest” riffs take center stage.

Despite often being sidled with the “drone” tag, Holly Hunt are clearly working within traditional song structures, albeit with an unwavering predilection for simplicity and, for a lack of a better word, rawness. Year One is a stripped-down, bare-bones contemplation on heft and, more importantly, the effects of repetition. The album is instantly gratifying, but the lack of dynamics may be a slight drawback for some.


Track List:

01) Lunar Module
02) Atlas
03) Manchurian Candidate
04) Klub
05) Papers Please
06) Molasses
07) New Sun
08) Disco is Dead
09) Destroy All Monsters
10) Maraschino

Rating: 6.5/10
Written by: Steven Miller
Other Electricities (United States) / OE032 / 2×12″ LP, Digital
Roofless Records (United States) / RR013 / 2×12″ LP, Digital
Instrumental Sludge / Drone / Doom Metal