Tag Archives: Dissecting Table
DTAT

Anemone Tube / Dissecting Table – This Dismal World

I’ve never been able to reach an absolute conclusion as to if the conceptual approach has a place in noise. In the ideal scenario, for me noise is sufficiently saturated with energy, emotion and images and I don’t need anything else but the sound itself to experience it at its fullest. However, I’ve seen and […]

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[Music] Anemone Tube / Dissecting Table “This Dismal World” Split LP Out Now on Peripheral Records!

“This Dismal World” is a dark concept album about the ‘Four Nobel Truths’ – the central teachings of Buddhism explaining the nature of suffering (dukkha). Legendary cult industrial act Dissecting Table from Japan and Germany’s dark ambient/industrial project Anemone Tube join forces to perambulate the stony path of the four noble truths: suffering, its causes, […]

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Epicurean Escapism

Various Artists – Epicurean Escapism

Last week, I got into a few discussions about the point of releasing compilations, and as I’ve attempted to be or was involved in a lot of them in the past, I have to say it’s damn hard to make something really worthy and interesting. And this one is among the best examples of how […]

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Dissecting Table – Industrial Document 1988/91

The five years from 1987 to 1992 was a profoundly pivotal period in time for Japanese Industrial/Noise music. Merzbow would be breaking through to international markets, performing in the USSR and United States, and then switching from analog to digital production. Kazuyuki Kishino (KK.Null) would start introducing Noise to prog-rock and hardcore audiences via Zeni Geva, and […]

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Saddharma

Dissecting Table / Vasilisk – Saddharma / Tibetan Liberation

Prolific nature meets extreme patience in this clash of two strangely spiritually-minded Japanese artists.  Dissecting Table, the aural doppelganger to Ichiro Tsuji, offers up just one thirty-one minute long track for this split while Vasilisk takes up roughly 26 minutes over four tracks.  Dissecting Table, like many of his elder contemporaries, should need little introduction […]

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